With a handful of singles this year, a successful debut album last year, and by far one of my favourite Triple j’s Like a Version covers ever (“When You Were Young” –…
With a handful of singles this year, a successful debut album last year, and by far one of my favourite Triple j’s Like a Version covers ever (“When You Were Young” –…
A steady stream of hype has followed Northlane‘s Alien album around… and it’s not even out yet. The upcoming fifth album for the band has left an impressive trail of singles in…
Though my personal familiarity with Thy Art Is Murder is limited, a request for me to review upcoming album Human Target sparked interest due to the calibre of its singles. The quintet…
Having already dove deep into the lyrical themes of Gravemind‘s Conduit in my interview with vocalist Dylan Gillies-Parsons, I was keen to review it ‘by feel’; let the music itself speak more than…
Altona has delivered their first full-length release entitled …And This Is Why We Are Alone. With a recognisable use of classic melodic hardcore components, Altona puts forth their emotional and musical endeavours…
Beyond being just a collection of music, I’m the Reaper serves as an open diary for The Beautiful Monument. The ten tracks have listeners privy to the trials, questions, and dreams of…
It was the release of the single “Chains” which introduced me to Louisiana based As Cities Burn. I learned then that they had resurfaced after a ten year hiatus, and returned to…
My first exposure to John Floreani‘s approach to songwriting was via the Trophy Eyes song “Chlorine”. I was on a train at the time, enjoying the song and its easy sing-along line of…
I felt like I’m coming in relatively blind to Diamond Construct. I’d only really spent time with their singles “Submerged” and “Night Terrors”, as well as seeing the Taree based band rip…
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